Author Griggs Sutton Elbert

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Sutton Elbert Griggs (1872-1933) was an African American author, Baptist minister, and social activist. He is best known for his novel Imperium in Imperio, a utopian work that envisions a separate African American state within the United States. Griggs was born in Chatfield, Texas to the Rev. Allen R. and Emma Hodge Griggs. His father, a former Georgia slave, became a prominent Baptist minister and founder of the first black newspaper and high school in Texas. Sutton worked closely with his father on the National Baptist Convention's Education Committee. He wrote frequently later in life of his deep respect for his parents' characters and accomplishments.accomplishments.[1] Sutton Griggs attended Bishop College in Marshall, Texas and Richmond Theological Seminary. Upon graduation, he became pastor of the First Baptist Church in Berkley, Virginia. There he married Emma Williams, a teacher, in 1897. In 1899, he became pastor of Tabernacle Baptist Church in East Nashville and correspondin

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g secretary of the National Baptist Convention. Griggs was a prolific author, writing more than a dozen books in his lifetime and selling them door-to-door or at the revival meetings at which he preached. His first novel, Imperium in Imperio, published in 1899, became a bestseller. In 1901, Griggs founded the Orion Publishing Company to sell books to the African American market. None of his four subsequent novels achieved the success of Imperium in Imperio, but he produced a steady stream of social and religious tracts, as well as an autobiography. An admirer of W. E. B. Du Bois and a supporter of the Niagara Movement and the National Association for the Advancement of Colored People, Griggs was strongly influenced by contemporary social theory. He believed that the practice of social virtues alone could advance a culture and lead to economic success.[2] The more radical ideas expressed in his novels, particularly Imperium in Imperio, have led him to be sometimes characterized as a militant separatist in the mold of Marcus Garvey. During his lifetime, however, his integrationist philosophy and courting of white philanthropy earned him the scorn of self-help advocates.[3] Griggs's careers in both the church and social welfare sphere were active and itinerant. In Houston, he helped establish the National Civil and Religious Institute. In 1914, he founded the National Public Welfare League. From 1925 to 1926, he served as president of the American Baptist Theological Seminary, which his father helped found . His longest tenure—19 years as pastor of Tabernacle Baptist Church in Memphis--saw him act on his belief in the social mission of churches, providing the only swimming pool and gymnasium then available to African Americans in the city. The Wall Street Crash of 1929 stripped the Tabernacle of investment funds and led to its bankruptcy. Griggs returned to Hopewell Baptist Church in Denison, Texas, then to a brief pastorship in Houston. Shortly after resigning that post in 1933, he died, and was buried in Dallas. Many of Griggs's novels follow a similar formula: two childhood friends are separated by wealth, education, skin tone, and political outlook; one is a militant and one an integrationist. A traumatic incident galvanizes the more moderate friend into action, and the two work together to redress the injustice. Imperium in Imperio (1899) follows this plotline with a startling twist: the revelation of an African American "empire within an empire," a shadow government complete with a Congress based in Waco, Texas. The light-skinned and more militant Bernard Belgrave who has been hand-picked to serve as president advocates a takeover of the Texas state government, while the dark-skinned, college-educated Belton Piedmont argues for assimilation and cooperation. Bernard has Belton executed as a traitor, leaving the potentially violent and unstable Bernard in control of the Imperium as the novel ends.[4] The Hindered Hand, written in 1905 as a direct reply to Thomas Dixon's The Leopard's Spots, contains graphic accounts of sexual violence and lynching, and was among the most popular African American novels of the period. With a stiff prose style and long rhetorical passages punctuated by melodramatic events, Griggs' novels are not models of "literary" styling. But for the African-American audiences for which they were written, the novels provided a rare opportunity to read about the political and social issues that preoccupied them, including violence, racism, and the pursuit of political and economic justice. Although he outsold more famous contemporaries, Griggs remained largely invisible in literary histories of the time. A re-issue of Imperium by the Arno Press in 1969 revived interest in Griggs, and several editions have been published since. Imperium has been embraced as an important addition to the history of utopian literature, western fiction, and African American literature.

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